Kenny Schick - solo CDs

SHUFFLE - 2013 - produced/recorded/mastered
UNDER - 2008 - produced/recorded in Australia & California
RISING - 2004 - produced/recorded
FUZZYLAND - 2002 - produced/recorded
EATING THE CANNIBALS - 2000 - produced/recorded

 

Artists Kenny has worked with:

Greg Camp (Smashmouth)
Charles Gillingham (Counting Crows)
Brain (Primus)
Michael Urbano (Smashmouth, Curveball)
Arion Salazar (Third Eye Blind)
Ray White (Frank Zappa)
Judy Mowatt (Bob Marley)
Justin Hinds (Godfather of ska)
GC Cameron (The Spinners)
Bobby McFerrin (vocalist & grammy winner)
Hershel Yatovitz (Chris Isaak's guitarist)
Yami Bolo
Sister Carol
JC Lodge
Pato Banton
Time Spent Driving
Curveball
David Peel
The Brownies
DubFX
DB Walker band
The Legendary Stardust Cowboy
The John Singer Band
Jailbait Babysitters
Zamba
DubNation
DubCongress
Sister Double Happiness
World Entertainment War
Neosoreskin
Dot3
Bad Dogs Sit
Fungo Mungo
ArtemesiaBlack
Sabine Heusler-Schick
Chris Jercha
Aly Kahn
Ish
Black Sea Surf
Rain Cruz
Sabrina Signs
The Devil's Sunday Best
Elisabeth Carlsile
Christina Li
Michael Drew
Hoopty Funk
Raffy Espiritu
Jay and the Po Boys
Guilded Splinters
Smoke Ring Halos
Kara Goslin
Rick Merritt
John Honingford
Pidgin English
Peter Colclasure
Mike Mattingly
Jim Boyers
Glenn Schoonmaker
Gail Weisman
Dan Rubinstein




 

Kenny Schick's full catalog of works with other artists:

CD list coming soon... its loooong

Greg Camp - Smashmouth (recorded horns on his latest CD),
Charles Gillingham - Counting Crows (played with him in the John Singer Band),
Brain - Primus (played with him in Curveball),
Michael Urbano - Smashmouth, Curveball (played with him in Curveball),
Arion Salazar - Third Eye Blind (played with him in Curveball),
Ray White - Frank Zappa (played with him in Curveball),
Judy Mowatt - Bob Marley (played saxophone in her backup band while touring west coast),
Justin Hinds - Godfather of ska (played saxophone in his backup band while touring west coast),
GC Cameron - The Spinners (played with him on an upcoming CD with DubNation),
Yami Bolo (played saxophone in his backup band while touring west coast),
Sister Carol (played saxophone in her backup band while touring west coast),
JC Lodge (played saxophone in her backup band while touring east coast),
Bobby McFerrin - jazz vocalist grammy winner (played saxophone with him),
David Peel (played guitar in his backup band),
The Brownies (play saxophone with them and recorded/produced their up and coming CD),
DubFX (play saxophone with them),
Hershel Yatovitz - Chris Isaak (played with him in DB Walker's Band)
The Legendary Stardust Cowboy (David Bowie is a fan, played saxophone on his album),
ArtemesiaBlack (plays live, recorded, played, produced both albums),
DubNation (plays saxophone live and recorded 2 CDs),
DubCongress (played saxophone live and all 3 of their CDs - played muliple large Reggae Festivals such as Reggae on the River, Vermont Reggae Festival, Sierra Nervada Music Festival),
Sister Double Happiness (played saxophone on their WarnerBros CD release),
World Entertainment War (played saxophone, and arranged horn parts on their MCA release),
Neosoreskin (a band fronted by ex Skank an' Pickle, played saxophone and co-produced 2 albums - opened for No Doubt, Black Eyed Peas, Ozomatli, A Reel Big Fish, Angelo Moore, No Use For a Name),
Dot3 (a very popular local bay area band, opened for such bands as Red Hot Chilli Peppers, Fishbone, James Blood Ulmer, Snake Finger, Level 42, The untouchables, Fire hose, Faith No More, Primus (they opened for us too),
Fungo Mungo (played on their album for Island Records),
Chris Sharron (produced his album and currently working on projects),
Rain Cruz (played on and produced her EP),
Fly to Blue (produced and recorded CD),
Aly Kahn (produced and recorded CD),
Frankie Chabaud (France - played on a few songs on his album and recorded a few songs in Australia),
Simon Phillips Band (Australia - played with him live),
KC (Australian Idol - recorded and mix her 1st solo album),
Sabrina Signs (recorded and produced and played on her CD),
Kara Goslin (recorded, produced and played on her CD),
Raffy Espiritu (recorded, produced, orchestrated and played on his CD),
Rick Merritt (recorded/engineered his new CD),

Various company/business clients working on jingles, theme music etc

 

MORE ABOUT THE WORK/CD - THE MAKING OF 'SHUFFLE' by KENNY

It's been 6 years since I released a CD! hard to believe how time flies, but it was 2007 when I released 'Under' upon my return from Australia. Sabine (my wife) and I run our own music production company, so actually, I've (helped) put out many CDs over the last 6 years - just not my own (this includes 3 ArtemesiaBlack CDs with Sabine, so sort of mine I guess...).

Seems my own music sort of got set aside to help others, but last year, I began to notice I had quite a few new songs recorded - stuff I'd been working on in between client work. I also noticed that I had several songs from previous CDs that had never been released and that didn't really fit genre-wise with the new material, so I was thinking multiple releases. Then I got the little brain worm - seems as though so many folks listen to iTunes in 'shuffle' mode, so why couldn't I release a CD with 'unrelated' material and just make it a 'playlist' of Kenny music? I also realized there were songs from the first 4 albums that hadn't really gotten too much attention and that were never finished off quite to my liking, so I thought this could be a retrospective as well. So it all started to come together in the form of CD #5, 'Shuffle'.

The new songs are obviously just 'new', and the unreleased songs were mostly from the 'Fuzzyland' album which was released in 2004 - they were cool songs, but Mike Freitas (who played drums on that album and helped me co-produce) and I decided they didn't fit, so they sat incomplete until last year.

The very first album, the 2000 release 'Eating The Cannibal' was a super limited release, and it was one of my favorites of all the albums being so experimental and being my first 'child'. That album was started in the second of 3 basements that were my studios in the early years (thus Basement 3), and recording for that disc started some time in the early or mid 90's. It was recorded to a single black face ADAT(8 tracks, bouncing, yadda yadda). I was very happy that the machine (after an initial error message) actually started and played the VHS tapes so I could get the material into Pro Tools….phew!!

'Rising' which was completed in 2002 was my first Pro Tools recorded album, and I was just never fully happy with that disc, though it got good reviews. 'Fuzzyland' came along in 2004 and was a 'success' in my eyes, with help from Mike Freitas, Gordon Gurley, and Jerry Ososkie. The first 3 albums had all sorts of great musical contributions from so many folks I'd played with over the years, but there was never a band to support them and there were never CD releases for any of them because of this.

It was after the release of 'Fuzzyland' that I started to seriously realize that I needed to play live shows to support my 'children', but having tried to put together bands a few times earlier, I decided to see if I could do it as a solo act, and thus started the more singer-songwriter approach that so many of you are familiar with in regards to my performances.

The solo acoustic thing was a lot more difficult and life changing that I ever imagined it might be: playing with a band, as I had always done, was one thing, but being responsible for the whole 'thing' was another, and I quickly realized that my singing, with the inability to do multiple takes in a studio, was a problem. I'd also never really loved the sound of my voice, as I'd learned to sing in really loud bands/situations, so producing a knife-like cutting sound was the result to get through all the volume, and that was just not a tone that really worked for me as a lead singer. I took voice lessons and studied acoustic guitar players for a year before I ever did a 'show', and the first shows were pretty rough by my estimation.

As 2006 rolled around, I'd started to get the hang of it and the song writing had taken a direction that reflected the performance format, but it was not quite standard singer-songwriter fare. Later that year, I ended up in Australia as many of you know to meet Sabine and play music.

With a lot of time to work on my craft, I came up with some methods of playing acoustic guitar that made it sound a little more like multiple musicians, and recorded the majority of what would be the CD 'Under' on a mini recording rig I brought down with me. This is also the time that the first ArtemesiaBlack album was born, and Sabine and I started playing together. Upon returning to the US, I played a lot of solo shows and even toured the west coast a few times, and then toured the whole US when Sabine arrived on our shores in 2008.

Then the mobile recording I'd started in Australia ended up being the start of our music production business as I began recording other artists in the fashion I'd always recorded my own albums. Still heavily influenced by all the acoustic music I'd heard during those years, I did begin to record some new material here and there, but I began missing some of the more layered instrumentation of my earlier approach, so some of that has crept it's way back in just a little…. : ) As far as songs from old releases that appear on 'Shuffle', they have been re-sung and remixed to sound more like I'd always imagined them. And here we are in 2013 with me trying to remember how to play my songs in preparation for a CD launch.

I am very happy with how this CD came out and I hope you will all enjoy the variety and quality of this release - it is sonically the best thing I've done (as i now mix/produce constantly), and though I tried to make this CD purposefully 'shuffle-like' in it's odd song to song relationships, I am surprised, actually, at how coherent it ended up sounding.